Without pausing or even breaking a smile, he casually said, 'Oh, hi, girls,’ and continued down the corridor.” BlakeĪs Andrews soared to greater heights as Maria in 1965’s The Sound of Music, she admits she was overwhelmed and anxiety-ridden as her first marriage fell apart. “We plunged into our embrace once again, and Mike stepped out of the elevator. Leaning over the sofa, she inquired, “Excuse me, are you Carol Burnett?” In a strangled voice, Carol said, “Yes!” Then raising a hand above the sofa to point at me, she added, “And this is my friend, Mary Poppins!”įinally, the target of their prank appeared. With a touch of panic, I noticed that the lady who had just passed us had turned around and was now coming back. She couldn’t even reply, she was laughing so hard. Her mother then asked her if she wanted to know why she had taken her to the party.Ĭarol slid off my knee and crawled behind the sofa to hide. By the end of the night, Barbara was too drunk to drive, so the unlicensed Andrews took over the wheel. After performing, Andrews was approached by a “fleshily handsome” man and felt a kind of electricity with him she could not define. When Andrews was 14, her mother took her to a party at a private home and asked her to sing. I would lie there,” she writes, “knowing that my return home was imminent and that he was giving me every ounce of himself that he possibly could.”īut even this sacred relationship was not what it seemed. “Dad would tuck me into bed and read me a poem or a story, in his precise, beautifully modulated voice. One night he came into her room and kissed her, explaining, “I really must teach you how to kiss properly.” The always resourceful Andrews told her aunt, and the next day her uncle installed a bolt on her bedroom door.Īndrews found strength and respite when visiting her father and his new family. Set designer Tony Walton, her first husband and childhood sweetheart, told Stirling that Andrews’ diaries were “filled with fanciful images of what a beautiful, happy life she had and what a glamourous existence she led, when in reality it was pretty seedy.”įar from white-washing her troubled childhood, an older and highly-therapized Andrews writes of her abusive stepfather’s highly disturbing behavior towards her in straightforward but emotional detail. ![]() Her mother and stepfather were turbulent alcoholics, and Andrews often found herself attempting to comfort her younger brothers and mother after a beating. ![]() The anxious young teen traveled endlessly around the country with her mother and stepfather, with a chaperone, or alone, always longing to go home.īut home was not a happy place. I kept a little book, writing ‘X’ for excellent or ‘Fairly Good’ or ‘TERRIBLE,’” she writes. ![]() “I began to rate myself in terms of how well I sang each night.
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